LOS ANGELES MAR 26 – 28, 2020 (Postponed until October)
NEW YORK APR 16 – 18, 2020 (Postponed until October)
LONDON MAY 14 – 16, 2020 (Postponed until November)
LOS ANGELES OCT 15 – 17, 2020
NEW YORK OCT 29 – 31, 2020
LONDON NOV 19 – 21, 2020

THE LEGENDARY STORY SEMINAR

Story creation. Are you inspired by an idea for a story, but don’t know how to realize it? True story is a question of continuous creativity – not a set of formulaic page numbers. Take advantage of one of the best story brains in the business, and let Robert McKee prompt and guide you to your best insights yet. Here is an opportunity to apply classic story design – the kind that has resulted in masterpieces of all kinds – to your own cinematic, theatrical or literary premise.

Robert McKee’s STORY Seminar is ideal for Screenwriters, TV Writers, Novelists, Playwrights, Filmmakers, Directors, Producers, Documentary Makers, Actors and more…

LESS THAN 1% OF WRITERS SELL THEIR SCREENPLAYS. THIS IS YOUR CHANCE TO LEARN WHAT THEY ALREADY KNOW.

Of the total creative effort represented in a finished work, 75% or more of a writer’s labor goes into designing story – only 1% of writers understand this. Anxious, inexperienced writers obey rules. Rebellious, unschooled writers break rules. Artists master the form. The only way to truly master the form is to intimately understand every aspect of Story. Robert McKee’s STORY Seminar is designed to help you master these principles. This seminar goes well beyond the essential mechanics of screenwriting. It will elevate your writing from an intellectual exercise to an emotional one, transforming the craft of screenwriting into an art form. The STORY Seminar affords you the opportunity to separate yourself from the herd of writers who will never invest the time to properly master the form and thus will never have the success they truly desire.

REMEMBER: There’s no such thing as an unemployed writer who has fully mastered the art.

Invest the time. Do the work. Write the truth.

THE RESULTS WILL FOLLOW.

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Story is about principles, not rules.

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Story is about archetypes, not stereotypes.

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Story is about eternal, universal forms, not formulas.

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Story is about thoroughness, not shortcuts.

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Story is about the realities, not the mysteries of writing.

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Story is about mastering the art, not second-guessing the marketplace.

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Story is about respect, not disdain, for the audience.

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Story is about originality, not duplication.

What Can I Expect?

Here's an outline of the STORY Seminar.

Seminar Schedule

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Lecture

9:00 am – 10: 50 am

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Morning Break

Q&A with Robert McKee 10:50 am – 11:10 am

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Lecture

11:10 am – 1:00 pm

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Lunch

1:00 pm – 2:00 pm

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Lecture

2:00 pm – 3:40 pm

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Afternoon Break

Q&A with Robert McKee 3:40 pm – 4:00 pm

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Lecture

4:00 pm – 5:40 pm

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Evening Break

Q&A with Robert McKee 5:40 pm – 6:00 pm

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Lecture

6:00 pm – 7:30 pm

Seminar Outline

SECTION ONE

The writer and the art of story
The decline of story in contemporary film
Story design: the meaning of story, the substance of story, the limitations and inspirations of story structure & genre, the debate between character vs story design
Premise Idea, Counter Idea, Controlling Idea
Story Structure: beat, scene, sequence, act, story
Mapping the Story universe: Archplot, Miniplot, Antiplot
Shaping the source of story energy and creation

SECTION TWO

Putting the elements of story together
The principles of character dimension and design
The composition of scenes
Titles
Irony; Melodrama
False endings
The text: description, dialogue, and poetics
The spectrum of story genres

SECTION THREE

Act design: the great sweep and body of story
The first major story event (the inciting incident)
Scene design in Story: turning points, emotional dynamics, setup/payoff, the nature of choice
Ordering and linking scenes
Exposition: dramatizing your characters, the story setting, creating back story
The principles of antagonism
Crisis, climax and resolution

SECTION FOUR

Story adaptations
Scene analysis: text and sub-text; design through dialogue versus design through action
The writer’s method: working from the inside out; the creative process from inspiration to final draft.
How it all works: the principles of the previous days applied in a 6-hour, scene-by-scene screening and analysis of CASABLANCA

Where Can I Attend?

Ready to register? We've got a number of upcoming seminars.