Could You Change Your Character’s Object of Desire?
Robert McKee teaches the importance of writers asking themselves “Why?” when making story decisions.
How Would a Controlling Idea Work for a TV Series?
Robert McKee teaches how to use the principle of the Controlling Idea in relation to the values at stake in a television series.
What to Keep and What to Cut
Robert McKee teaches how writing your Climax leads to a retroactive edit of your story.
What Are the Conventions of Domestic Drama?
Robert McKee teaches the best way to approach learning genre conventions and the importance of writers “doing the work.”
EVERYBODY KNOWS (2018)
A tear-stained list of Jerry Springer chants (He stole my money! He stole my property! He stole my baby!) infects this wannabe art film.
The Difference Between Act Climaxes On Stage and Screen
Robert McKee teaches the principle of character action and reaction, and how writers must choose which to emphasize.
Audience Impressions
A few words from your fellow writers about their experience at Robert McKee’s London STORY Seminar.
How Does a Writer Make Sense Out of a Story They Create?
Robert McKee teaches how, in spite of the world making less and less sense, writers can still create a meaningful story.
How Do You Use Story Talent to Express Life?
Robert McKee discusses story as a metaphor for life, with reference to LITTLE MISS SUNSHINE.