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Writing for Film vs. Television

Robert McKee teaches some of the key differences between writing stories for film versus television, and what questions a writer must ask themselves.

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What Is the Difference Between Ironic Endings and Ambiguous Endings?

Robert McKee discusses the pros and cons of straightforward, ironic, ambiguous and open endings.

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How to Start Your Story

Robert McKee discusses how to approach a new project, and methods writers can use to inspire their creativity.

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Writing Your Own Love Story

Robert McKee teaches the objectivity and insight needed to write a love story inspired by your own life experience.

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What is the Difference Between Didacticism and Meaning in a Story?

Robert McKee explains the difference between lecturing your audience and creating a meaningful work of art.

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Choosing the Best Ending for Your Story

Robert McKee discusses the difficulties in choosing an ending for your story, and the principles at work that must inform your decision.

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How Do You Fully Dimensionalize a Character?

Robert McKee discusses designing your character’s dimensions with reference to Shakespeare’s OTHELLO.

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Love Stories as Subplots in Crime Thrillers

McKee discusses the nature and function of love subplots in Crime Stories and Thrillers, with reference to SEVEN.

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How Do You Position Your Audience When Combining Genres?

Robert McKee teaches the key to positioning your audience when combining multiples styles of storytelling, with reference to THE FISHER KING.

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