Is Writing Getting Better?
Robert McKee discusses how in spite of the occasional great film (in this case IRON MAN 3) the best writing can now be found on television.
How Should Writers Handle Rejection?
McKee suggests how writers can re-inspire themselves and persevere with their craft in the face of rejection and failure.
How Do Story Principles Apply to TV Writing?
McKee discusses how storytellers should approach character arcs and levels of conflict when writing for television.
Fact, Fiction, and Truth in Storytelling
Robert McKee discusses the difference between ‘fact’ in documentaries and ‘truth’ in fiction, with reference to great works such as EXIT THROUGH THE GIFT SHOP and ROGER AND ME.
Interview with Rory Feek: Every Song Has a Story
The chart topping singer/songwriter, author and record label owner discusses his influences, approach to writing and what we can learn from FORREST GUMP.
How Do I Create a Gap Between Character Expectation and Result?
In this video Q&A, Robert McKee discusses how writing ‘in character’ helps the writer create differences between what your character expects and what actually happens as the result of their...Do Aristotle’s 6 Dramatic Elements in Theatre Apply to Other Media?
McKee discusses the order of importance of Aristotle’s 6 dramatic elements when applied to media such as film and novels.
Why Is It Necessary To Study Genre?
Robert McKee discusses what to look out for when studying the stories within your genre, with reference to BUTCH CASSIDY AND THE SUNDANCE KID.
Why Is Taste So Important for a Writer?
McKee discusses the difficulty in remaining objective about your writing.
Is a Formal Writing Education Necessary for Success?
Robert McKee is asked how artists such as Quentin Tarantino and Dennis Hopper became successful without a formal writing education.
Does a Character Need To Change In a Comedy?
Robert McKee discusses why comedic characters don’t need to change, using BRIDESMAIDS as a key example.
How to Get Away With Breaking the Comedy Principle: “Nobody Gets Hurt”
Robert McKee discusses how despite the violence used in SOUTH PARK, the comedic principle remains intact.