When Should You Write the Subtext in a Treatment?
Robert McKee explains the difficulties of writing treatments, how much freedom writers actually have and when you should think about subtext.
How Complex Should a Crime Thriller Protagonist Be?
Robert McKee teaches the different dimensional requirements of Crime / Thriller protagonists, with reference to SHERLOCK HOLMES and MR BROOKS.
Has There Been a Rise in Formulaic Storytelling?
Robert McKee discusses the difficulties of producing truly excellent writing and the history of this common problem.
Does a Story Always Need to be Believable?
Robert McKee teaches how “impossible” stories aren’t necessarily “unbelievable”.
Could the Inciting Incident Be Placed In a Flashback?
Robert McKee teaches the benefits and pitfalls of delaying your Inciting Incident, with reference to KISS OF THE SPIDER WOMAN and THE SIXTH SENSE.
Is it Necessary to Plan Your Story?
McKee discusses the benefits of planning your story and the dangers of “the Vesuvius school of writing”.
How Do I Write Natural Dialogue?
Robert McKee explains how poorly handled exposition can lead to ineffective dialogue.
What Is the Truth of Your Story?
Robert McKee teaches the importance of expressing your view of how and why life changes, within your story.
Should an “Aspiring Writer” Ever Give Up?
Robert McKee discusses the time involved in mastering the craft, and how a writer should be pragmatic when assessing their career trajectory.
What Are You Willing To Risk?
How do you picture success as a writer? Whether you’re already writing an acceptance speech, or simply dreaming of seeing your work produced or published, new writers rarely consider the realities of achieving success.
What is the Difference Between Didacticism and Meaning in a Story?
Robert McKee explains the difference between lecturing your audience and creating a meaningful work of art.
What Is the Difference Between Mood and Emotion?
Robert McKee teaches the difference between mood and emotion, and which is more important in the telling of a story.
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