How Do Forces of Antagonism Apply to An Education Plot?
Robert McKee discusses the 1983 film TENDER MERCIES and how the forces of antagonism plague the protagonist, pushing him to the end of the line.
Robert McKee discusses the 1983 film TENDER MERCIES and how the forces of antagonism plague the protagonist, pushing him to the end of the line.
Robert McKee discusses the key factors to consider when designing the major dramatic question of your TV series.
Robert McKee discusses trying to get your script made independently, agents and the subject of taste and judgement.
Robert McKee discusses clichés, false storytelling, and why certain stories do not travel between cultures.
Robert McKee discusses a unique form of writer’s block, and the difficulty in knowing when your story is finished.
Robert McKee discusses three story designs (Classical, Minimalism and Anti-Plot) and how each relates to the particular worldview of a writer.
McKee discusses the difficulties in planning a long-form television series, with reference to GAME OF THRONES and BREAKING BAD.
What are the most common misunderstandings first-time screenwriters have about screenplays?
From GET OUT to IT, cinema is experiencing a resurgence of Horror…
To McKee, stories—and sharing how to tell them well—are as essential as breathing. “I will do this as long as I can speak. If I had a religion, it would be art in general and storytelling in particular.”
Robert McKee discusses how to use subplots to enhance the pacing of your story.
Robert McKee discusses the dreaded phenomenon of writer’s block and suggests some strategies for overcoming it.