Why Does Your Story Need a Controlling Idea?
Robert McKee explains why sooner or later you’re going to need to grasp your story’s controlling idea.
Robert McKee explains why sooner or later you’re going to need to grasp your story’s controlling idea.
A fun clip from McKee STORYNOMICS™ partner Skyword Content Marketing Co., putting money where their mouth is.
Robert McKee explains how acting experience is an invaluable asset when writing for the screen.
Robert McKee discusses whether the audience or the characters need to be aware of the story’s spine of action.
Before she was Wonder Woman she was Diana, princess of the Amazons, trained warrior. When a pilot crashes and tells of conflict in the outside world, she leaves home to fight a war to end all wars, discovering her full powers and true destiny.
Robert McKee suggests that the masterful use of multiple image systems is what makes Polanski’s film CHINATOWN so powerful.
Maya Deren, the mother of the avant-garde cinema and its movement, greatly influenced some of the most respected filmmakers of our time.
In this short lesson, McKee explores the best way to keep an audience involved with the spine of action of a long-form TV series: character desire.
After a night of partying with a female stranger, a man wakes up to find her stabbed to death and is charged with her murder.
Tells the tale of three mothers of first graders, whose apparently perfect lives unravel to the point of murder.
The world of the Vikings is brought to life through the journey of Ragnar Lothbrok, the first Viking to emerge from Norse legend and onto the pages of history – a man on the edge of myth.
A young African-American man visits his Caucasian girlfriend’s mysterious family estate.