ATOMIC BLONDE (2017)
ATOMIC BLONDE bombs for many reasons, but the ABCs are: (A) a false financial premise, (B) a catalogue of clichés, and (C) inept execution of genre convention.
LADY MACBETH (2017)
From its screenplay through its casting and on out to its camera work, this bare-knuckled psycho-thriller employs compelling counterpoint techniques to sharpen both meaning and emotion.
How Do I Get Over Writer’s Block?
Robert McKee discusses the dreaded phenomenon of writer’s block and suggests some strategies for overcoming it.
MY COUSIN RACHEL (2017)
Thinking of adapting a novel to the screen? If so, don’t miss MY COUSIN RACHEL. This suspenseful summertime treat offers an excellent case study of a brilliantly told novel skillfully escorted from page to screen by writer/director Roger Michell.
Why Is a Two-Person Love Story Harder to Write Than a Love Triangle?
Robert McKee explains how giving your character a choice is a crucial component of creating compelling drama.
What Did Paddy Chayefsky Hang on His Wall?
Robert McKee recounts the true story of when he visited Paddy Chayefsky’s writing room.
Why Does Your Story Need a Controlling Idea?
Robert McKee explains why sooner or later you’re going to need to grasp your story’s controlling idea.
“The Wedding Speech” A Skyword Story
A fun clip from McKee STORYNOMICS™ partner Skyword Content Marketing Co., putting money where their mouth is.
Does Acting Help Your Writing?
Robert McKee explains how acting experience is an invaluable asset when writing for the screen.